Re: [linux-audio-dev] live pa questions

From: Paul Winkler <pw_lists@email-addr-hidden>
Date: Mon Apr 04 2005 - 20:45:44 EEST

On Mon, Apr 04, 2005 at 05:55:12PM +0100, Dave Griffiths wrote:
> On Mon, 04 Apr 2005 18:01:02 +0200, Pieter Palmers wrote
> > the following links provide quite some info regarding distortion,
> > clipping and DC offsets:
> > http://sound.westhost.com/clipping.htm
> > http://sound.westhost.com/tweeters.htm
>
> interesting articles
>
> > My recommendations:
> > - Be sure to do a decent sound-check: have a full-scale piece of
> > music ready for the PA engineer to set the PA desk incoming level,
> > and be sure not to change your volume when soundcheck is done. -
> > Adapt the dynamic range of your music to the live enviroment, e.g.
> > by using a compressor plugin just before the soundcard output.
>
> so it isn't so much of a software problem, but rather the responsibility of
> the artist to keep the dynamic range down, and the sound engineer to set the
> levels sensibly?
>
> it's interesting though, as a lot of performers who use computers eschew the
> soundcheck these days, thinking just a line test, or just plugging in and
> setting the volume, is enough.
>
> so, would it be a good idea to purchase a small compressor, if using homemade
> analogue synths, or even software capable of producing nasty signals?

A compressor might not be fast or hard enough to buy you much safety.
For that, better would be a good fast limiter and a subsonic filter.
The filter is pretty easy and cheap (see e.g. the Harrison Labs Fmod),
but I don't happen to know of a really good inexpensive brick-wall
limiter first-hand. I've heard that the Aphex Dominator isn't bad, but
it's hardly cheap. Maybe one of the DBX models? *shrug*

If I owned a venue or rented a sound system I'd probably provide my own
anyway, but I don't know how many do that.

-- 
Paul Winkler
http://www.slinkp.com
Received on Tue Apr 5 00:15:05 2005

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