Re: [LAD] The Bay of Atlantis

From: Paul Davis <paul@email-addr-hidden>
Date: Sat Apr 28 2018 - 02:04:41 EEST

I wasn't referring to the arpeggiation (really, in TD's case, it's actually
a 16 or 32 step analog sequencer) but the "chirping" sound right around
25:53 and becomes more obvious at 26:16 . You also used it around 14:08.
"filter and a sequencer" sounds like a likely explanation.

Anyway, https://www.youtube.com/watch?v=E7t8eoA_1jQ

On Fri, Apr 27, 2018 at 6:46 PM, Louigi Verona <louigi.verona@email-addr-hidden>
wrote:

> Hey everyone!
>
> Thank you for the kind words, I am very happy you are enjoying the
> experience.
>
> Any and all sonic references to Tangerine Dream are always accidental, as
> to this day I never listened to Tangerine Dream, although have skimmed
> through several tunes after being told that some of my tunes that feature
> arpeggiation seem to remind people of Tangerine Dream. Right now quickly
> clicked through Rubicon on YouTube. Arpeggiation part in the end is not
> bad, although a little outdated, I guess.
>
> I think the reason why some of my arpeggiating tunes remind people of
> Tangerine Dream is that setting up an arpeggiating bassline as a backbone
> of a tune and then putting things on top is an extremely simple idea that
> many musicians come up with. As I do have a minialistic approach in my
> music, it is possible that it sounds similar to what they did back in the
> day. Either way, Tangerine Dream has never been part of my musical diet,
> but I don't mind people hearing these unintentional references, this is
> always very interesting.
>
> As to the part at 26 minute, I think this is a pad loop that I played
> through Kluppe sent through a chain of CamelSpace ran though Festige and
> then through Rakarrack, powered by an almost 100% wet signal Long Reverb of
> the reverb module. The "watery" feeling is created by CamelSpace, which
> provides a filter and a sequencer which is capable of gating and changing
> the cutoff frequency value. An incredible VST plugin, although I actually
> rarely use it for ambient.
>
> So, a mix of Linux and VST technology here. But as far as I remember, this
> was probably the only non-Linux piece of tech I've used here.
>
> L.V.
>
>
>
> On Fri, Apr 27, 2018 at 9:07 PM, Paul Davis <paul@email-addr-hidden>
> wrote:
>
>> Love it. Especially love the (possibly accidental) sonic references to
>> Rubicon (Tangerine Dream) e.g. at about the 26 minute mark. What is that?
>>
>> On Mon, Apr 23, 2018 at 5:16 AM, Louigi Verona <louigi.verona@email-addr-hidden>
>> wrote:
>>
>>> Announcing a new release of project "droning", tune 281 "The Bay of
>>> Atlantis".
>>>
>>> *Stream it here:* https://louigi.bandcamp.com/al
>>> bum/281-the-bay-of-atlantis
>>>
>>> *Word from the author:*
>>>
>>> Extensive work went into this creation.
>>>
>>> I wanted the tune to create a feeling that this is one solid
>>> composition, not a soundtrack with distinct segments, but something rather
>>> like an ocean which is in one instance is calm and in the other - furious.
>>> But still just one single ocean.
>>>
>>> To all of you travelers out there, and to those of us who find visiting
>>> nonexistent places important.
>>>
>>>
>>> *Technical specs:* Qtractor, Rakarrack, Carla, Kluppe, seq24 and a
>>> number of LV2 plugins. Zyn is used, although a number of sounds came from
>>> other sources.
>>>
>>>
>>> --
>>> Louigi Verona
>>> https://www.patreon.com/droning
>>> https://louigiverona.com/
>>>
>>> _______________________________________________
>>> Linux-audio-dev mailing list
>>> Linux-audio-dev@email-addr-hidden
>>> https://lists.linuxaudio.org/listinfo/linux-audio-dev
>>>
>>>
>>
>
>
> --
> Louigi Verona
> https://www.patreon.com/droning
> https://louigiverona.com/
>

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Received on Mon Jun 18 21:53:11 2018

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