2006/9/18, Folderol <folderol@ukfsn.org>:
> On Sun, 17 Sep 2006 23:45:28 +0200
> Fons Adriaensen <fons.adriaensen@skynet.be> wrote:
> > On Sun, Sep 17, 2006 at 08:12:57PM +0200, Arnold Krille wrote:
> > > Yep, JAPA is great. I use it to calibrate PA's here.
> > I'm flattered :-)
Wishlist item: Noise generator (White and pink?) for JAPA! So I don't
have to start JAAA too...
> > > But more and more
> > > I learn not to rely on this apps and visualizers, because you will
> > > listen to the music and not see it. ;-)
> > > And a straight line in JAPA doesn't really tell you wether the bass
> > > (as an instrument) is to loud or that some frequencies from the guitar
> > > are to loud while it still fits into a linear spectrum of your
> > > music...
> > I agree 100% with this. Mixing should be done 'by ear' and nothing else.
> > The only danger is that it takes very little time to get used to a bad
> > spectral balance or some particular coloration, and almost always turning
> > some filter gain up _seems_ to improve things. It takes some training
> > or experience to avoid falling in this trap.
> I agree with that, but would add that when I get something laid down
> and think I'm satisfied with it, I then check it on a pair of average
> headphones, my home stereo, and the car CD player. This can be very
> revealing and is a real-world test.
I check my mix agin on the next day. And I listen to my normal music
in between to get the feeling back... (Don't have a car or a normal
home stereo.)
Arnold
-- visit http://dillenburg.dyndns.org/~arnold/ --- Wenn man mit Raubkopien Bands wie Brosis oder Britney Spears wirklich verhindern könnte, würde ich mir noch heute einen Stapel Brenner und einen Sack Rohlinge kaufen.Received on Mon Sep 18 16:15:04 2006
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