Back on Tuesday 27 May 2008, Simon Williams was like:
> Hello.
>
> I often run the PA system for my CU at uni. So far we've been using
> jack-jack leads to connect guitars to the desk. However, my Dad has
> recently started using jack-XLR leads at my home church and says that
> it's much better.
>
> After a very long conversation and lots of googling (which incidentally
> provides no info at all on the subject), I'm now completely confused.
>
> Are guitars mic or line or what?
Hi-Z Line level. (The output level can vary quite drastically depending on the
type of pickup though)
>
> The rationale for using jack-XLR leads and connecting to the mic input
> on the desk is that guitars have mics in them so they are mic level.
> Apparently the battery unit in the guitar doesn't make it line level,
> but I'm not convinced.
A battery is for active pickups. Pickups that don't need batteries are
passive.
>
> The other thing I don't understand is that if that is the case, why do
> people use DI boxes? A DI box takes a high impedance (line level - I
> think) input and converts it to low impedance output (mic level). If the
> guitar is mic level already then what's the point?
The DI converts a line level (regardless of impedance level) signal to Low-Z
mic level. The reason for this is that line level signals can't travel long
distances without degrading, but Low-Z mic level signals can go much much
further. I wouldn't run a -10 dBu signal much futher than 20 feet. (A +4 dBu
line level signal can go quite a long distance though) Most sources like
keyboards are -10 dBu though, and levels on guitars can be all over the
place.
A DI is used because it can take a wide range of signal levels and change them
all to a uniform Low-Z mic level signal that can travel a long distance.
They also usually have a ground lift switch for when your FOH and Stage power
are sourced to different grounds to prevent ground loops. (The hum you
sometimes get when plugging in a guitar or keyboard) Some can be placed in
between a head-amp and cabnet. Some have pad switches. Some are active, some
are passive. Some are crap. (I'm talking about you, Behringer)
>
> Please, could someone shed some light on this because I'm now very
> confused.
>
I wouldn't recommend plugging into a line jack, or a mic preamp. Both can be
made to work, and both can be a mess. I would recommend getting DI boxes.
The cheap ones that still work good, are the passive IMP DI boxes made by
Whirlwind. (~ $40)
I prefer active DI boxes because they have a better frequency response, but
they cost quite a bit more.
I recommend:
BSS AR-133 - Great for keyboards because of the pad switch
Countryman Type-85 - Great for guitars because they can also go in between the
amp and cabnet. They're also indestructible.
Anything made by Radial.
-Reuben
> Thanks in advance.
> Simon
> _______________________________________________
> Linux-audio-user mailing list
> Linux-audio-user@email-addr-hidden
> http://lists.linuxaudio.org/mailman/listinfo/linux-audio-user
_______________________________________________
Linux-audio-user mailing list
Linux-audio-user@email-addr-hidden
http://lists.linuxaudio.org/mailman/listinfo/linux-audio-user
Received on Wed May 28 00:15:08 2008
This archive was generated by hypermail 2.1.8 : Wed May 28 2008 - 00:15:08 EEST