Re: [LAU] re Subconscious Affecting Music

From: Ken Restivo <ken@email-addr-hidden>
Date: Thu Sep 09 2010 - 03:04:37 EEST

On Fri, Sep 03, 2010 at 08:55:34AM -0400, David Santamauro wrote:
> On Fri, 3 Sep 2010 17:56:13 +0530
> Rustom Mody <rustompmody@email-addr-hidden> wrote:
>
> > There are two voices I hear here vis-a-vis Bach:
> > 1. Art for art's sake -- the romantic idea
> > 2. Art for money's sake -- the distinction of commercial vs
> > commisioned being a fine semantic distinction.
> >
> > Bach himself expressed a view however which does not fit in with
> > either: *
> > Anything done other than for the service of God is vanity*
>
> "The aim and final end of all music should be none other than the
> glory of God and the refreshment of the soul."
>
> God, unfortunately, doesn't pay for food directly. The refreshment of
> the soul alone would have left him starving as well.

Brother had like 18 kids or something? He made plenty of money; he had a lot of mouths to feed.

>
> Although he was extremely devote and clearly most of his inspiration
> was generated by that religious stance, he was not above squabbling for
> better pay. The fact that his employer was the church might also had
> something to do with that stance as well.
>
> "He regarded himself as a conscientious craftsman doing a job to the
> best of his ability for the satisfaction of his superiors, for the
> pleasure and edification of his fellowmen, and to the glory of
> God." [ Grout & Palisca: A History of Western Music ]
>

I think it helped his music. He could have made decent, forgettable music and it would have gotten him paid well enough. Since he thought he was writing music for god, that's a pretty heavy gig, and I'm sure it drove him to take his music to levels of perfection and immortality he might not otherwise have acheived.

-ken
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Received on Thu Sep 9 04:15:06 2010

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