On Sun, Dec 30, 2012 at 11:19:30AM -0500, Al Thompson wrote:
> An omni-directional mic is unusable is any situation where that mic is
> being fed into a monitor system, unless the source is at least 20dB
> louder than the monitor signal, which MAY be the case if you're micing a
> guitar cabinet, since a) the cabinet would be close-miced, and b) there
> probably isn't a monitor aimed directly at the front of the guitar cabinet.
>
> It would NOT be suitable at all for vocals, or when you're micing horns,
> acoustic guitar, violin, etc.
> It would also be complicated if you are using side-fills, as is
> typical. Of course, it's also complicated by stupid things such as
> whether or not the lead singer decides to put on a hat!
>
> I mixed monitors for many many years. It's far more complicated than it
> would appear at a casual glance. You get 8-10 on-stage monitor mixes,
> running a total of about 100,000 watts (including sidefills), and
> there's a lot going on.
It all depends on the circumstances. I never wrote that you could
blindly replace all your SM58s with omnis. I wrote that I've done
it in some cases, and with good results.
Also note that the miniature DPAs often used on violins, horns and
others (including singers) are omnis.
Ciao,
-- FA A world of exhaustive, reliable metadata would be an utopia. It's also a pipe-dream, founded on self-delusion, nerd hubris and hysterically inflated market opportunities. (Cory Doctorow) _______________________________________________ Linux-audio-user mailing list Linux-audio-user@email-addr-hidden http://lists.linuxaudio.org/listinfo/linux-audio-userReceived on Sun Dec 30 20:15:03 2012
This archive was generated by hypermail 2.1.8 : Sun Dec 30 2012 - 20:15:03 EET