Re: [LAU] drum synth

Maybe the code is not pretty. But who can write a note of music with 16
bytes? That an application has a few kilobytes notes that synthesizes musical
instrument?

What is the most beautiful car in the world if it does not roll, or music
request megabytes to work?

I prefer forward through the codes, those who want their children to play,
I said or he may find application at critical beliefs parfais a code, I do not
have to answer.

best regards

2014-08-03 7:11 GMT+02:00 pierre jocelyn andre <temps.jo@email-addr-hidden>:

> Hi,
> for the last code, I say :
> in work,
> we need to refine the movement in the tables
>
>
>
>
> 2014-08-03 1:07 GMT+02:00 James Morris <james@email-addr-hidden-art.net>:
>
> On Sat, 2 Aug 2014 23:47:47 +0200
>> pierre jocelyn andre <temps.jo@email-addr-hidden> wrote:
>>
>> > Hi,
>> > I mainly work on the laws of sound, not much on how to code,
>> >
>> > but tux know coding and look at here
>> > http://chezlefab.net/share/8e3b1648a0a683334186/lmmodeljo-fab.tar.gz
>> > it-is the future, I just have to correct the wav converter
>> >
>> > there are many drums
>> > Try the code
>>
>>
>> I just tried this code. It does not seg-fault like the other code. I'm
>> not convinced it's the future as you mention. It doesn't sound like
>> you've worked that much on the laws of sound, each button or key press
>> produces the exactly same sound, no difference, the only way to produce
>> any difference is to press keys/buttons rapidly to layer the sound.
>>
>>
>> > A drum is simply a strong decrease in amplitude accompanied by a
>> > change in length by 5 forehead (30 fronts enough)
>>
>> That theory could be applied to a pure DC signal but I'm not sure
>> if you might need another forehead or not.
>>
>>
>> >
>> > "Segmentation faults , "that is if you try out linux
>> >
>>
>> Well I'm harldy going to rush out and buy Windows just so I can test
>> your program to see if it meets my needs am I?
>>
>> And why does your program do horrible things to my terminal?
>>
>> James.
>>
>>
>> > Best regard
>> >
>> >
>> > 2014-08-02 23:16 GMT+02:00 James Morris <james@email-addr-hidden-art.net>:
>> >
>> > > On Sat, 2 Aug 2014 14:13:58 +0200
>> > > pierre jocelyn andre <temps.jo@email-addr-hidden> wrote:
>> > >
>> > > > Hello there,
>> > > >
>> > > > again sorry for my poor English
>> > > >
>> > > > my synthesizer creates sounds of drums
>> > > > each sound weighs 16 bytes
>> > > > we must forget audacity is too heavy, so much many bytes per sound
>> > > > sounds produced by my synthesizer can not be encoded as encoding
>> > > > deforms, as streaming deforms,
>> > > >
>> > > > here you have some synthesizer sounds in wikimedia
>> > > > http://commons.wikimedia.org/wiki/Special:Contributions/9temps
>> > > > here you have video
>> > > > https://www.youtube.com/watch?v=XwCeR5S8kHI
>> > >
>> > > I hear no drums in that video. I watched one of the others and found
>> > > the sounds interesting (as I commented there) but didn't hear any
>> > > drums, and it's not obvious what's going on, how can you change the
>> > > synthesis parameters for instance? Must the code be edited and
>> > > recompiled?
>> > >
>> > >
>> > > > here you have some piano code
>> > > > http://www.letime.net/vocale/lmmodel1jo.tar.gz
>> > >
>> > > Segmentation faults as soon as I hit any button.
>> > >
>> > >
>> > > >
>> > > > piano with drum
>> > > > must be
>> > > >
>> > > >
>> > > > I am currently working with the debian facile community to improve
>> > > > codes
>> > >
>> > > I've just looked at MaFenetre.cpp and it's over 9000 lines!
>> > >
>> > > You need to stop the lazy coding habit of copying and pasting the
>> > > same code over and over again with minor modifications. I see 1438
>> > > lines beginning at line 6580 with the same code copied and pasted
>> > > over and over again, and then again another piece of code copied
>> > > and pasted for the last 1116 lines of the file.
>> > >
>> > > You need to turn much of MaFenetre.cpp into functions to reduce the
>> > > redundancy.
>> > >
>> > > Learn how to use structured programming.
>> > >
>> > > Start setting minimal standards for your code and adhere to them.
>> > >
>> > > But I'm only self taught too, and not a pro either, so what do I
>> > > know.
>> > >
>> > > james.
>> > >
>> > >
>> > > >
>> > > >
>> > > > best regards
>> > > >
>> > > >
>> > > > 2014-08-02 11:20 GMT+02:00 Fede <federicogalland@email-addr-hidden>:
>> > > >
>> > > > > I was looking for the best way to synthesize drums a few months
>> > > > > ago, and while I tried various samplers and synths, I decided
>> > > > > that my ultimate drum machine would be a tracker. The tracker
>> > > > > interface cannot be beaten for the rhythmic purposes. Plus it
>> > > > > has perfect timing since you don't depend on MIDI.
>> > > > >
>> > > > > I'm currently using the hydrogen drumkit samples for that.
>> > > > > Mainly the 909s which sound good enough.
>> > > > >
>> > > > > Also, for the arrangements of my band I'm starting to use
>> > > > > rosegarden +linuxsampler, which I load GMaq's 4pc drumkit sf2.
>> > > > >
>> > > > > Since the drum timbres don't usually change a lot during
>> > > > > performance, this options plus some effects should be good
>> > > > > enough (chibitracker comes with reverb and cheesetracker has
>> > > > > built in ladspa).
>> > > > >
>> > > > > If you want to make your own drum piece timbres, I'd recommend
>> > > > > you to use audacity to draw your samples. You have access to
>> > > > > all the LADSPA and nyquist plugins, and it's a really
>> > > > > comfortable tool to work with short samples (I'm thinking of
>> > > > > the envelope editor function which I love).
>> > > > >
>> > > > > Good luck, and tell us the option you've taken.
>> > > > > _______________________________________________
>> > > > > Linux-audio-user mailing list
>> > > > > Linux-audio-user@email-addr-hidden
>> > > > > http://lists.linuxaudio.org/listinfo/linux-audio-user
>> > > > >
>> > >
>> > >
>>
>>
>

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Received on Sun Aug 3 08:15:04 2014