Re: [LAD] [ANN] IR: LV2 Convolution Reverb

On Thu, Feb 24, 2011 at 11:17:17AM -0500, Paul Davis wrote:

> what you don't know (because you're not on IRC) is the question of
> N-point editing comes up a lot. i (and others) have argued (in my
> opinion quite successfully) that four point editing is a relic of an
> older workflow. others who have used 2, 3 and 4 point editing a lot on
> other systems have argued back. nobody has been persuaded to change
> their minds, and clearly nobody with the strong feelings in favor of
> it has been motivated thus far to implement it.

Then tell me how to do the following:

replace a range A-B by another one C-D, with user controllable
short xfades at the transitions, and so that everything to the
right of B (which may mean disjoint regions) moves as required
to make space for C-D. On all tracks, or some selected ones.
With the option to listen to each side of a transition separately,
and ajust it, without having to move away the other side.

> actually, i think i can speak clearly for carl and myself (the two
> most active current developers; possibly most of the others too) when
> i say that we are focussed on the feedback that we get from people who
> repeatedly engage with us using the communication channels that we
> find most convenient for this work. is that perfect? no. but its the
> way things work out, at least for the last several years. the price of
> entry into the exclusive club that is #ardour is simply time, nothing
> more (or less).

I don't have the time to hang out in chat room all day. Fortunately
I also have other things to do. You can of course choose to ignore
this list and others, and emails, but using these are a far better
use of my (or anybody's) time.

> if you can live with VBAP, this may interest you:

I'm generally not interested in VBAP. I provides the worst surround
possible, even worse than most 5.1 panners. And in those rare cases where
it would be a good solution, I can derive the required signals from a more
universal encoding.

Ciao,

-- 
FA
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