lanas wrote:
> The mood setting and development is quite nice and that's the strong
> point. The voice is also quite good but could be a bit more expressive
> in some details.
I kind of agree, however:
She's not a very expressive singer by nature. And for this project
(which this song is part of) I decided to see what comes natural (same
goes for compositions, arrangements, other performers, etc), and later
see it the whole needs something different at spots. Besides for this
particular song I wanted a quite "un-dynamic" feel, which also means
that I really tried keeping the arrangement very dynamically static.
Just enough development in the music to keep the listener from being too
bored, but no crescendos, or climaxes or such. Just a simple statement
of the mood.
Still I will definitely keep this in mind when reworking it. Thanks for
your thoughts!
> On the other hand, I've found that the bass (bassest ?) noise used as
> percussion is a bit unsetting. When it is used in the percussion break
> it is nice, but unless it represents something that has to do with the
> meaning/lyrics, it kind of stands out and does not blend enough with
> the other percussive counterparts of same 'noise' and them all with the
> piece. IMHO, of course.
Hmmm. I'm not sure which sound you're referring to. Is it the one on
"one in every other bar", the one leading into sections or the one on
"three"?
> It is not sung in English, isn't it ? Do you have a translation of the
> words ?
The lyrics are Danish. I wouldn't want to bug the list with it,
considered it's religious nature. I could translate it and send it to
you off-list if you're interested...
-- peace, love & harmony Atte http://www.atte.dk | quintet: http://www.anagrammer.dk | compositions: http://www.atte.dk/compositionsReceived on Sun Dec 31 04:15:02 2006
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