*Viktor, could you post an example PDF that shows how the grouping of
notes should be presented on the page?*
Here are 3 different pages:
*http://tinyurl.com/bq4lyd
*
I have included two examples of 5/8: 2+3 and 3+2 (bas score only) plus one
page of 9/8 (bouzouki score + tabs), for the sake of clearness.
The 9/8 has 2+2+2+3 grouping, and it's so beautiful on Lilypond. If I just
didn't have to spend sooo many long hours to create 2 pages of this kind of
notation.
(don't forget that 9/8 can be grouped in more different ways: 2+3+2+2,
2+2+3+2 and 3+2+2+2, although 2+2+2+3 is most widely used)
I am really thankful for your support.*
*Here are the songs from the scores (if interested):
Show Me (3+2 = 5/8) http://meditera.co.uk/pokazhi-mi-mp3-single
I'm Waiting (2+3 = 5/8) http://meditera.co.uk/im-waiting-mp3-single
The Rush (2+2+2+3 = 9/8) http://meditera.co.uk/the-rush-mp3-single
Thanks again,
Viktor
2009/2/13 Ron Fox <rfox@email-addr-hidden>
>
> On Fri, 2009-02-13 at 15:48 +0000, Viktor Mastoridis wrote:
> > Hello to all,
> >
> > I play bouzouki and guitar and most of my music repertoire is in
> > (Eastern European) uneven time signatures (5/8, 7/8, 9/8 etc).
> >
> > I was trying to write Guitar/Bouzouki tablature/notation of this music
> > on Linux in the past but without much success.
> >
> > The main (hidden) problem with these rhythms is the grouping of notes,
> > i.e.
> > 5/8 can be 2+3/8 or 3+2/8,
> > 7/8 is 2+2+3/8 or 3+2+2/8 etc...
> >
> > Thus the grouping of the notes needs to reflect this fact as it is
> > essential for the performer.
>
> Viktor, could you post an example PDF that shows how the grouping of
> notes should be presented on the page?
>
> Regards,
> Ron
>
>
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Received on Sat Feb 14 00:15:02 2009
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