On Tue, Apr 06, 2010 at 08:20:12PM +0200, Arnold Krille wrote:
> On Monday 05 April 2010 20:48:03 Atte André Jensen wrote:
> > Ken Restivo wrote:
> > > Of course there is.... JAPA does exactly what I want.
> > Thanks for asking the question and letting me discover japa, very
> > useful, I think I'm gonna be mixing with that running the next times!
>
> Please don't use it while mixing.
>
> Music is for ears, not for eyes. There is no point in a flat line in japa
> produced by your music when it sounds like sh*, has flat voice, mistuned
> instruments and sloppy rythm.
>
> Use it to analyse your final mix in the beta stage. Use it to measure (and
> correct) your listening environment. Use it to train your ears with music of
> others.
> But please don't use it for mixing music.
As Japa's creator I do agree with this.
You *can* use Japa while mixing, but indeed don't
make the mistake that a 'flat spectrum' is a target
to go for. It isn't. And Japa has more than one idea
of what constitues a 'flat spectrum' anyway.
Japa is a tool like any other, and if I may say so,
a good one. But *you* have to learn and use it, it
is not a substitute for training your ears, and for
being able to listen critically.
Ciao,
-- FA O tu, che porte, correndo si ? E guerra e morte ! _______________________________________________ Linux-audio-user mailing list Linux-audio-user@email-addr-hidden http://lists.linuxaudio.org/listinfo/linux-audio-userReceived on Wed Apr 7 00:15:03 2010
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