Seq24 is worth a look for live sequencing. It lets you record MIDI
loops on the fly, and has a nice set of keybindings for turning them
on and off (in groups, in sync, etc). It seems like some aspects of
its jack support might have succumbed to bitrot, but it's worth
experimenting to see what you can get working. In any case I'm pretty
sure it works fine as a standalone sequencer - it just might have some
issues when you try and sync it to another sequencer program, or vice
versa.
And I haven't used it myself, but it's possible that harmonySEQ might
be of interest to you, too.
best,
J
On Wed, Oct 16, 2013 at 3:57 PM, Barney Holmes <djbarney@email-addr-hidden> wrote:
> Hello,
>
> I'm from a DJ'ing background and prefer to play live and record tracks by
> keeping everything as live as possible. Think of Richie Hawtin using locked
> groove drum loop records and this kind of thing to make a hybrid between
> DJ'ing and on-the-fly original track creation. I know Ardour and Jack. I can
> create totally presequenced productions but find that takes away my
> spontaneity. Are there examples out there of these kind of set ups ? I need
> as many examples as possible for encouragement if nothing else. I did start
> using Hydrogen to drive external drum synths, like Yoshimi that can make
> drum and percussion sounds, but the Hydrogen controls are set up for
> altering the included sample sets and don't do anything to the MIDI output.
> I suppose I'm trying to recreate the immediacy and spontaneity that using
> original hardware 808/909/sampler set ups used to be able to create. Another
> example was the immediate accessibility of Propellerhead Rebith 303. It has
> a good real time 303 implementation but all the percussion was sample based,
> which I want to move away from. I've found creating a drum in Yoshimi sounds
> *much* richer and more dynamic than samples. So what are you using out there
> ? Screen shots ?
>
> Peace
>
> djbarney
>
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Received on Thu Oct 17 04:15:04 2013
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