On Fri, 29 Jul 2016 19:43:34 +0200
Ralf Mardorf <ralf.mardorf@email-addr-hidden-dsl.net> wrote:
> Composing note by note is the only way, because a musician wants to
> play within a scale, but also to borrow notes from another scale.
The natural way for me is simply to not know about scales so much to
start with. Then I can play anything and see if it sounds good. After
playing against a backdrop for some time, a pattern are made. Those
notes sounds good. OK. Now, in which time slice would it be possible
to get out of this pattern of notes and venture a note that could sound
otherwise not so good ? And in doing so, what possible emotional draw
can it have ?
This is good for everything. I use the same approach on guitar,
keyboard, acoustic bass.
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Received on Sat Jul 30 00:15:02 2016
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