Re: [LAU] studio prep question.

> >>Ralf Mardorf <ralf.mardorf@email-addr-hidden-dsl.net> wrote:
> >>
> >>> An acoustic decoupled room inside
> >>> the room for a sax player might be possible in regards to costs and
> >>> structural engineering, but at some point there are limits regarding
> >>> costs as well as structural engineering.
> >>
> >>No matter how well done a booth sounds like a booth :)
> >>
> >>IMO, you solve some problems to create others.
> >
> >You are absolutely right! This is just for a sax player who want's to
> >increase her free jazz abilities.
> >
> >A few seconds ago I off-list wrote:
> >
> > Begin forwarded message:
> >
> > Date: Sat, 24 Feb 2018 19:03:50 +0100
> > From: Ralf Mardorf
> > To: jonetsu
> > Subject: [off-list] [LAU] studio prep question.
> >
> >
> > I'm not good doing overtone singing and would like to practise
> > doing it, but since I have good luck with a peaceful neighbourhood and
> > some even like my guitar playing, I won't exhaust the good luck and
> > don't practise overtone singing.
> >
> >To practise overtone singing a cabin would do the job ;).
>
> Keep in mind, the sax player could try out different pharses for
> hours inside the booth and to record the sax, the musician could do it a
> few seconds outside the booth.
> _______________________________________________
>

Hope you aren't suggesting that the sax player isn't a musician.

And, the sax player can learn to play more quietly! Really, he (she) can.
But, it's hard.

-- 
**** Listen to my FREE CD at http://www.mellowood.ca/music/cedars ****
Bob van der Poel ** Wynndel, British Columbia, CANADA **
EMAIL: bob@email-addr-hidden
WWW:   http://www.mellowood.ca

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Received on Mon Jun 18 21:47:45 2018