Steve D mentioned an "irrational" fear of the punchin/punchout recording
technique. Ron Parker and Cesare Marilungo commented--
Ron Parker wrote:
> We definitely hear "bad" punches. It's something you get good at; play
> along with yourself, perform the puch-in and punch-out then stop
> playing. Afterwards trim the region in and outs so the punch can't be
> heard.
Cesare Marilungo wrote:
> There's another, way better, method. Just route your keyboard output
> to a midi sequencer (muse or rosegarden) and then to the sampler. In
> this way you can do punch-ins in midi, delete notes seamlessly merge
> two or more performances and more.
Thank you very much, Ron and Cesare. I'll try both approaches and
hopefully I'll learn how to exploit both the digital-audio and MIDI
punchin/punchout recording techniques.
Regarding the digital audio (rather than MIDI) approach, I'll try to
space the punchin and punchout points a little farther apart than I
normally would, to give me a greater choice *after* re-recording the
section as to exactly where I want the actual punch to occur. (I hadn't
thought of that, obvious though it may now seem. ;-)
Thank you,
-sd
-- ---------------------------------------------------------------- Actual political quote-- "I resent your insinuendoes." ----------------------------------------------------------------Received on Tue Feb 14 00:15:10 2006
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