Re: [LAU] Bell characteristics (list of partials)

From: Folderol <folderol@email-addr-hidden>
Date: Mon Dec 12 2011 - 20:45:25 EET

On Sun, 11 Dec 2011 22:19:13 +0000
Fons Adriaensen <fons@email-addr-hidden> wrote:

> On Sun, Dec 11, 2011 at 10:52:31PM +0100, Julien Claassen wrote:
>
> > This sounds valuable. My first experiments - mainly trial and error,
> > based on basic theory - weren't good at all. :-(
>
> Depends on what you consider 'basic theory'. The simple fact is
> that the partials of a bell sound are _not_ a simple harmonic
> series. In its most basic form, a bell sound will consist of
> five partials:
>
> 1. Nominal - this is the nominal frequency of the bell.
> 2. Prime - one octave below the nominal.
> 3. Hum - two octaves below the nominal.
> 4. Tierce - a minor (sometimes major) third above the prime.
> 5. Quint - a fifth above the prime.
>
> There will be higher components as well in many cases, in
> particular higher thirds and fifths, but these are never
> exact harmonics of the lower ones.
>
> This is a much simplified model. In most cases the two
> octaves are not exact (the 'hum' is usually higher) and
> this does not necessarily mean a bad sound. Same for the
> smaller intervals.
>
> The reason why inexact intervals are perfectly possible
> and do not produce an ugly sound is that none of these
> partials have significant higher harmomics - they are
> pure sine frequencies. So there is no beating of higher
> harmonics, which is what makes most detuned instruments
> sound bad.
>
> Except for the 'hum', these components will usually
> have a normal exponential decay (roughly). The 'hum'
> is different: it starts at low amplitude, and rises
> during a second or two before decaying.
>
> Ciao,

Absolutely fascinating!
I always knew that bells were 'strange' but I never realised just *how*
strange!

-- 
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
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Received on Mon Dec 12 20:15:01 2011

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