On Wed, May 16, 2012 at 10:13 AM, Brett McCoy <idragosani@email-addr-hidden> wrote:
>
> And then there was Carl Stalling, who wouldn't even wait for the final
> edits of the cartoons he wrote for. He'd just compose against the
> x-sheets the animators used, the timings worked out by the director
> were so precise and detailed.
>
This is exactly what I am doing for SFX design for tube in phase 1
actually. When I started about 3/4 of the shots there wasn't any animation
for, just storyboards. Now that is significantly down, but I am often
still laying in sounds with just basic timings and ideas of animations at
best.
Not quite the same as composing, but in some ways not to different either.
I just need to write a SFZ to handle foley noises etc. sometime:)
Seablade
PS 2 hours left on Tube's Kickstarter:)
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Received on Wed May 16 20:15:03 2012
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