Re: [LAU] The future of audio plugins ?

From: Joël Krähemann <weedlight@email-addr-hidden>
Date: Fri Oct 14 2016 - 20:27:07 EEST

Hi Ralf

I think I understand you but you are probably one the wrong way. If you
want to do sound analyses you definitely need an effect chain and the
ability to clone the audio data in order getting multiple results.

In Advanced Gtk+ Sequencer you can resize the count of output pads.
each pad having the very same number of audio channels and equal
audio data.

Bests,
Joël

On Fri, Oct 14, 2016 at 5:31 PM, jonetsu <jonetsu@teksavvy.com> wrote:
> On Fri, 14 Oct 2016 07:52:41 -0700 (PDT)
> Len Ovens <len@ovenwerks.net> wrote:
>
>> I am guessing that people are looking for:
>> "make my guitar sound like <player> using <guitar>, through
>> <pedalbox>, <amp>, <speakerbox>, <speakers>... as mixed on <track>.
>> (cause we're making a cover)"
>> Yup, sounds like art to me.
>
> Again, it is at the mixing engineer level. Not at the
> stage of personalizing the characteristics of individual sounds. The
> mixing stage sees a set of tracks that hopefully embodies what the
> client wants to do, wants to express. There might be some
> characteristic tweaks here and there, re-amping, widening with chorus,
> early reflections, etc, but the core of 'I want to sound like David
> Glimour' or such is already being done.
>
> NI has a guitar processing plugin based on Rammstein's guitarist
> sound. That would be more in the vein maybe. There might be others
> out there like that.
>
> OTOH, I don't see what would be wrong with having a set of presets that
> supposedly replicates a certain guitarist setup. That can provide a
> starting point to explore further. I haven't checked for a (very
> long) while but there was always a constant artist/gear relationship in
> the press and in products. Guitars made according to Brian May, what
> kind of pedals used for achieving this tone, etc...
>
>
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Received on Sat Oct 15 00:15:01 2016

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